“De entre la luna y los hombres” by Hansel Cereza (Spain)
By Stefano • May 19th, 2008 • Category: Agenda, Focus| June 24, 2008 12:00 am | a | June 27, 2008 12:00 am |
DE ENTRE LA LUNA Y LOS HOMBRES
with Fuensanta “La Moneta”
directed by Hansel Cereza
production Teatro de la Zambra
in cooperation with INAEM Ministerio de Cultura (Spagna)
from 24th to 27th June 12.00 pm
Teatro Sannazaro
First night
language Spanish
duration 90′
performers Fuensanta “La Moneta” (dancer), Eva Duran (singer), Ramón Aparicio (actor in off),
musicians Miguel Iglesias (guitar), Paco Iglesias (guitar), José Carrasco (percusión), Rafael “El Eléctrico” (palmas), Torombo (palmas), Jaime “El Parrón” (singer in off)
composer Miguel Iglesias
light designer Lluis Marti
sound technicians Pablo Aparicio
video designer Hansel Cereza and Jordi Casinos
costume designer Quetezurzan, Mª Carmen Requena, Lely Ibañez
scenery Zaris
poems Ángeles Mora and Teresa Gómez
adjustament poems Eva Duran
script Raúl Comba
graphical image Nono Icarus
machinery Maria José Puertas and Luís Olaya
executive production Raúl Comba
to help of production Teresa Vilchez
De entre la luna y los hombres originates from the artistic association between Fuensanta “La Moneta”, one of today’s most vibrant and illustrious flamenco dancers, and Hansel Cereza, director and founder of the historical Spanish company La Fura dels Baus. “La Moneta” performs a play based on the verses of two women who come from her same homeland: poets Angeles Mora and Teresa Gomez. The dancer performs the most experimental of her choreographies to the songs of Eva Duran that materialize the voice of feminine conscience. Amongst the males on stage: Miguel and Pico Silesians (guitars), Javier Carrasco (percussions), El Electric and Thrombi (rhythm section).
De entre la Luna y los hombres is a feminine performance interpreted by a woman and orientated towards a story line of social inspiration. In the midst of “malagueñas”, “cantes abandolaos”, “guajiras”, “farrucas”, “soleares” and “seguiriyas”, “La Moneta” enacts a variety of roles that women typically take on in society, ranging from the happiness of the independent and fully realized woman to the anxiety of the one who sees her dreams dissolve in front of her own eyes and aware of the fact that they will never come true. The play discloses a genuine reserve of womanly emotions that lead the spectator through the innermost recesses of the soul.
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